• Bio
  • Blog
  • Articles
  • Nonfiction
  • Poetry
  • Fiction
Menu

M. M. Adjarian

***
Reflections on Life, Art + Writing
***

Your Custom Text Here

M. M. Adjarian

  • Bio
  • Blog
  • Articles
  • Nonfiction
  • Poetry
  • Fiction

Stars in Blackout

November 10, 2024 Maude Adjarian

This is the essay I did not know I needed to write until I did.

 The first days of November began with me drafting a post about one of my pet interests, the punk movement. It was the militant energy of it that drew me, an energy that matched the rage I felt against my circumstances. I was unemployed; my health was in unexpected jeopardy. Every day felt like barefoot walk on a ledge made of broken glass. The rawness of punk felt good. A reaction to the economic crises and drive toward commercialization that characterized the 1970s, musicians in London and New York transformed their songs into musical fists that hit hard and fast. Aggression was salvation because they were children of the capitalist Cold War apocalypse.

 I wanted to write about this history to understand why I’d felt the need to thrift military fatigues and cherry red Doc Marten combat boots online. Who—or what—was I really at war with? My hardships? The injustice of an appalling year? A suburbanized, aging self? At first I accepted it as a way to indulge my perennial love for youth, rebellion and radical feminism. I was just doing me and externalizing my own inner conflicts as I always had, this time through the lens of nostalgia.

 Then on November 5, America did—or appeared to do—the unthinkable.

 Now, in the painful aftermath of that choice, I wonder whether I’d also been sensing the emergence of another, greater conflict. The country was divided; we all knew that, just as we knew that the race between #45 and Kamala Harris would be close. But most of us believed that justice would prevail and the most reasonable candidate would win. That didn’t happen; or at least, didn’t seem to. By the end of the election night, the American map looked like what one YouTuber, recalling George R. R. Martin’s Game of Thrones, called a “red wedding.” He was referring to a fictional massacre staged as revenge for a broken marriage pact between two powerful families. By all appearances, #45 had finally gotten the vengeance he had sworn was his.

 The Harris/Walz campaign had been a light in a darkness that had been as much collective as personal. Like so many others, I had been swept up by clear, bright energy of their two-and-a-half month blitzkrieg campaign. Happy warriors, they symbolized the best American ideals—tolerance, generosity, reason, diversity—but also the best of an underestimated—but deeply divided—generation. Screw tech billionaire Xers and their Xer friends on the Supreme Court. Finally we other Xers have a chance to show the world what else we can be.

 Now I sit watching the light fade in the post-election silence that has followed. It’s not a total blackout because votes still need to be certified and the suspicion of fraud continues to grow. But the sense of betrayal remain, less for the “red wedding” results and more for the story they tell about my fellow Americans. If at least half of this country, including women and people of color, did indeed want the apparent president-elect, then who are we as Americans? After centuries of struggle against own demons, are we still capable of vulgarities like the Madison Square Garden rally of October 27?

My shame is immense, not only for what appears to be the current political reality, but also for the role—however small—I played in its manifestation. For years I refused to vote because I didn’t believe in the two-party system. What I could not see was that my participation in the democratic process was what was really at stake. My immigrant parents, both of whom were part of the wave of European immigrants who came to America after WWII, knew better. You’re spoiled and you don’t even know it, my father used to say. Sitting in the confused twilight of this post-election phase, I tell his ghost that he was right. If not for the healthcare legislation passed in the era of my apathy, I would no doubt have been forced into making plans for my own funeral.

 Born under and shaped by a society ruled by Benito Mussolini, my mother left Italy seven years after the end of WWII. My father lived under the Nazi Occupation of Paris and watch his country split into two. Both appreciated everything that mid-twentieth century American seemed to offer them, despite the occasional bigotry they faced as immigrants and—in my mother’s case—the sexism she encountered in her work as a scientific researcher. Both voted, grateful to have a say as naturalized citizens. They believed in the process; they believed they counted.

 Just before she stopped caring about everything including the vote, my mother told me that she had wept the day Kennedy died. She had loved him, his youth and the purity of his faith in America. Though I did not wish to summon her ghost, I remembered her as I cried, wondering if the election was showing me the death of something larger: American democracy and the fragile planet that, like women who lost the right to bodily autonomy, bears the injustice of corporate greed and plutocratic excess.

 Despair is easy now and seems a comfort. Yet in this strange twilight, I am also reminded of what fellow Xer and immigrant daughter told Americans during her concession speech: Only when it’s dark enough can you see the stars. I am—and will remain—a survivor of many battles. And in my second-hand fatigues, I speak my truths like sparks of hope for all who follow me and my generation into a reckoning with the darkness in our collective national soul.

 

 Subscribe in a reader

← Dear 2024Curmudgeonness →

AUSTIN WRITING LIFE BLOG ARCHIVE

  • May 2025
    • May 26, 2025 Camera Obscura May 26, 2025
  • April 2025
    • Apr 28, 2025 My X-Files Life Apr 28, 2025
  • March 2025
    • Mar 24, 2025 A Tale of Two Gardens Mar 24, 2025
  • February 2025
    • Feb 22, 2025 The Justice of Rest Feb 22, 2025
  • January 2025
    • Jan 13, 2025 To B or Not to B... Jan 13, 2025
  • December 2024
    • Dec 25, 2024 Dear 2024 Dec 25, 2024
  • November 2024
    • Nov 10, 2024 Stars in Blackout Nov 10, 2024
  • October 2024
    • Oct 14, 2024 Curmudgeonness Oct 14, 2024
  • September 2024
    • Sep 8, 2024 Reading Cards & Stars Sep 8, 2024
  • August 2024
    • Aug 6, 2024 Cat Ladies Strike Back Aug 6, 2024
  • July 2024
    • Jul 14, 2024 The Serendipity of Sarah McLachlan Jul 14, 2024
  • June 2024
    • Jun 2, 2024 Anatomy Lessons Jun 2, 2024
  • May 2024
    • May 1, 2024 A View from the Edge May 1, 2024
  • April 2024
    • Apr 9, 2024 Sisterhood of the Titanium Breast Clip Apr 9, 2024
  • March 2024
    • Mar 10, 2024 Mile High & Away Mar 10, 2024
  • February 2024
    • Feb 10, 2024 Tempus Fugit Feb 10, 2024
  • January 2024
    • Jan 15, 2024 Painted City Jan 15, 2024
  • December 2023
    • Dec 26, 2023 Different Shades of Brain Dec 26, 2023
  • November 2023
    • Nov 26, 2023 Call of an Ancient Inland Sea Nov 26, 2023
  • October 2023
    • Oct 22, 2023 Helen Mirren & the Self-Loving Art of Swagger Oct 22, 2023
  • September 2023
    • Sep 30, 2023 Rockin' the Wall Sep 30, 2023
  • August 2023
    • Aug 26, 2023 Portland NXNW Aug 26, 2023
  • July 2023
    • Jul 6, 2023 I, Not Robot Jul 6, 2023
  • June 2023
    • Jun 11, 2023 Stripper Pole Tango Jun 11, 2023
  • May 2023
    • May 21, 2023 Bat City Blues May 21, 2023
  • April 2023
    • Apr 24, 2023 One Love & the Rites of Spring Apr 24, 2023
  • March 2023
    • Mar 18, 2023 Seattle Memory Underground Mar 18, 2023
  • February 2023
    • Feb 20, 2023 Domesticity 101 Feb 20, 2023
  • January 2023
    • Jan 24, 2023 Finding the Shaggy Jan 24, 2023
  • December 2022
    • Dec 28, 2022 A Woman of Greens Dec 28, 2022
  • November 2022
    • Nov 27, 2022 The Poverty of Being Middle Class Nov 27, 2022
  • October 2022
    • Oct 30, 2022 Ballot Box Slacker Oct 30, 2022
    • Oct 1, 2022 Cat Ladies & Me Oct 1, 2022
  • September 2022
    • Sep 18, 2022 Something Like Home Sep 18, 2022
    • Sep 2, 2022 A Broken Earth & Her Mirrors Sep 2, 2022
  • August 2022
    • Aug 15, 2022 Paddling Alone Aug 15, 2022
    • Aug 1, 2022 Flowers for a Requiem Aug 1, 2022
  • July 2022
    • Jul 17, 2022 Strange Carnival Jul 17, 2022
    • Jul 3, 2022 How My Garden Grows Jul 3, 2022
  • June 2022
    • Jun 19, 2022 What Now, Generation X? Jun 19, 2022
    • Jun 1, 2022 Resurrection in the Cathedral Jun 1, 2022
  • May 2022
    • May 15, 2022 How Dare We May 15, 2022
    • May 4, 2022 Water Baby May 4, 2022
  • April 2022
    • Apr 24, 2022 Drag Day Afternoon Apr 24, 2022
    • Apr 9, 2022 Mothers of the Revolution Apr 9, 2022
  • March 2022
    • Mar 30, 2022 Bone Digger Mar 30, 2022
    • Mar 19, 2022 Pasta & the Theory of Everything Mar 19, 2022
  • February 2022
    • Feb 27, 2022 Eying Winter Feb 27, 2022
    • Feb 12, 2022 Queer but Not Quite Feb 12, 2022
  • January 2022
    • Jan 17, 2022 Companions at my Table Jan 17, 2022
    • Jan 2, 2022 Hangry Jan 2, 2022
  • August 2017
    • Aug 7, 2017 A Tortured Nirvana Aug 7, 2017
  • June 2017
    • Jun 23, 2017 Reading "Shapeshifters" Jun 23, 2017
  • May 2017
    • May 1, 2017 All That & Siri, Too May 1, 2017
  • March 2017
    • Mar 16, 2017 Starting Over, Starting Out Mar 16, 2017

Powered by Squarespace